The Knockabout Shop

WEIRDO COVER

THE WEIRDO YEARS 1981 to 1993

R.Crumb

256 pages 28 x 22 cm Hardcover | ISBN 9780861662258

With an introduction by Aline Kominsky-Crumb

All Crumb’s work from his very influential Weirdo magazine. Considered to be some of his best ever work.

Weirdo was a magazine-sized comics anthology created by Robert Crumb in 1981, which ran for 28 issues. It served as a “low art” counterpoint to its contemporary highbrow Raw. Early issues of Weirdo reflect Crumb’s interests at the time – outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted “weirdness.” With issue #10, Crumb later handed over the editing reins to Peter Bagge; with issue #18, the reins went to Crumb’s wife, cartoonist Aline Kominsky-Crumb. The three editorial tenures were known respectively as “Personal Confessions,”  “Coming of the Bad Boys,” and  “Twisted Sisters.”

The incredibly varied stories include TV Blues, Life of Boswell, People Make me Nervous, The Old Songs are the Best Songs, Uncle Bob’s Mid-Life Crisis, Kraft Ebbing’s’ Psycopathia Sexualis, Goldilocks, The Life of Philip K Dick,  and many more.

Also within are several photo strip stories featuring Crumb himself and various of his trademark well-built women including his wife Aline Kominsky-Crumb in tales such as Get in Shape and Unfaithful Husband

Includes all his stunning covers from all 28 issues

http://www.filmwerk.co.uk/2013/09/30/r-crumb-the-weirdo-years-1981-93-review/

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MONKEY COVER ROUGH

THE HARTLEPOOL MONKEY by Wilfrid Lupano and Jérémie Moreau

Lupano & Moreau

96 pages hardcover 265 x 195 mm | ISBN 9780861662265

THE HARTLEPOOL MONKEY by Wilfrid Lupano and Jérémie Moreau.

1814, off the Durham coast, near the little village of Hartlepool, a warship in the Napoleonic fleet founders during a storm and sinks. At daybreak, amid the wreckage and flotsam on the beach, fishermen discover a survivor: a monkey dressed in full military regalia, the mascot of the shipwrecked French vessel. Now, the good people of Hartlepool despise all Frenchmen, though they have never seen one in the flesh. Nor have they ever see a monkey. But this brutish, bestial castaway tallies with the vague impression they have of the enemy… this alone is enough for the ape to find himself court martialled. Inspired by the famous legend of the Hartlepool monkey, this is a tragi-comic fable of war and jingoism, of xenophobia and ignorance and of the glimmering of enlightenment…

So ends the legend of the Hartlepool monkey. How much truth is there in this oft-told fable?  Only a slender thread, we might hope… The fundamental facts are well know: the English borders were well fortified again the threat of invasion. Borders are important, without them it is difficult to know who to hate…Even today, the legend lives on in Britain, and Hartlepudlians are still known by the nickname ‘monkey hangers’; a nickname also applied to the supporters of Hartlepool United FC, whose mascot is “H’Angus the Monkey”.

A few words, then about the monkey…In 2002, the man then wearing the monkey costume, Stuart Drummond, stood for election to Mayor of the Borough of Hartlepool on a political platform that was clear and succinct: “free bananas for school children”. Though launched simply as a publicity stunt, Hartlepudlians, heartily sick of cronyism and party politics gave the traditional political parties a resounding slap in the face. H’Angus the Monkey stormed to victory. Mr Drummond was deeply touched by the trust placed in him and hung up his primate costume to devote himself to the task. He proved such a popular mayor that he was re-elected in 2005 and again in 2009, becoming the first English mayor to win three consecutive elections.

The monkey who was mistaken for a man was hanged.

The man who dressed as a monkey was elected.

And the human comedy carries on…

Here is a picture of the writer in his Hartlepool United strip.

http://geeksyndicate.co.uk/news/comic-review-hartlepool-monkey/

http://www.hartlepoolmail.co.uk/news/local/hanging-on-every-word-1-5563312

http://www.forbiddenplanet.co.uk/blog/2013/directors-commentary-monkey-business-with-wilfrid-lupano/

 

 

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BIG BOOK OF MISCHIEF COVER

Krent Able’s BIG BOOK OF MISCHIEF

Krent Able

64 pages paperback 30.5 x 22.5 cm | ISBN 9780861661794

From the pages of the UK’s award-winning, infamous music newspaper, The Stool Pigeon, come Krent Able’s mind-blowing, appallingly hilarious and beautifully drawn rock-star abusing comic strips, gathered together for the first time.

Featuring exclusive new comics and illustrations, join the dashing and hirsute Mr Able as he takes a chainsaw to the icons of music. SEE! Lou Reed’s trouble with monkeys! Goldfrapp’s thirst for perverted vengeance! Johnny Cash in drug-related impotence shocker! Courtney Love – cannibal hag! Nick Cave’ll cure what ails you! Kraftwerk sadly miniaturised and toasted! Lily Allen crushed by Satan! The Beach Boys return from beyond the grave to eat your guts and kill your pets.

“Able is really quite brilliant. A perfect balance of wit and stunning craft” Dangerous Minds

http://www.filmwerk.co.uk/2012/11/22/krent-ables-big-book-of-mischief

http://forbiddenplanet.co.uk/blog/2012/reviews-krent-able-a-very-mischievous-soul

http://beardrock.com/interviews/krent-able

 

 

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PINOCCHIO

PINOCCHIO by Winshluss

Winshluss

192 pages casebound 29 x 21.5 cm | ISBN 9780861661725

Winshluss’ Pinoccchio graphic novel is an adult noir movie that at times is both comedy and tragedy. The narrative begins with a shooting, and then flashes back to Pinocchio’s creation (he is now a robot-like android) and adventures. Collodi’s original story is also darker than Disney’s version. Winshluss has  injected politics into his story which also played a part in Collodi’s original. Monstro the whale is replaced by a toxic, giant mutated fish, and there’s even a subplot of a hard-boiled detective woven in. While the “talking cricket” (here a cockroach) has a better fate than that of the original novel, since it is now a homeless man who squats in “the skull” of the little robot in question. Winshluss has perfected the wordless comic. Not a panel is wasted. Each is perfectly designed to for clear reading. The artwork is primarily done in pen and ink, and watercolor but switches to paint for larger splash panels. He references a terrific range of illustrative styles and history in the story from late 18th century pen and ink, to early French film pioneer Georges Méliès , through early Disney, and underground comix.

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DrawnTogetherPbk.indd

DRAWN TOGETHER by ALINE and R. CRUMB

Robert & Aline Crumb

264 pages 285 x 215 mm | ISBN 9780861661787

A MILESTONE IN COMICS!

The Collected Works of Robert and Aline Crumb

Rumoured for years, Drawn Together finally charts the daily exploits and erotic craziness of this “First Couple” of comics

Who could have imagined that in 1972 when Aline Kominsky, a Long Island escapee and bodaciously talented artist, broke her foot one rainy fall day, it would result in the most unique collaboration in comics’ history? Laid up in her house, she was persuaded by her nerdy, neurotic boyfriend that they pass the time drawing together a “two-man” com-ic. The result is a jaw-dropping, yet tender account, not only of the joys and challenges of a legendary marriage but the obstacles faced by struggling female artists. In Drawn Together, the foremost male-female cartooning couple recall their success at shocking America with Weirdo Magazine, the life-altering birth of their precocious daughter Sophie, as well as their astonishing move to the safe haven of France. With an irresistible introduction, a striking four-color section, and those much-beloved New Yorker cartoons, Drawn Together becomes a graphic cause-célèbre and a must have for any comics devotee.

R. Crumb, the author of numerous comic works, is one of the pioneers of underground comics starting with Zap Co-mix. Aline Crumb is an underground comics artist and author of Need More Love: A Graphic Memoir. They both live in southern France.

Listen to Robert and Alne Crumb speak real words…. http://www.guardian.co.uk/books/audio/2012/nov/16/robert-aline-crumb-graphic-novels-podcast

 

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LOVELY HORRIBLE

The Lovely Horrible Stuff by Eddie Campbell

Eddie Campbell

96 pages hardcover 260 x 170mm | ISBN 9780861661749

Money makes the world go round, as they say.

And around. And around.

Eddie Campbell is an award-winning graphic novelist (Alec, From Hell) whose works defies categorization. He presents a dizzying autobiographical investigation into MONEY. It’s a voyage that takes him all the way from the imaginary wealth of Ponzi schemes to the all-too-tangible stone currency of the Micronesian island of Yap. This is no dry and dusty treatise on finance. With his trademark blend of research, anecdote, autobiography and fantasy, he explores how money underwrites human relationships, flowing all around us like the air we breathe—or the water we drown in. The result is a whimsical graphic essay, deeply grounded in his personal experience with the lovely horrible stuff, ranging from television pilots to a world where drawing corporate superheroes requires literally transforming oneself into a corporation (which is kept in a shoebox under the bed). Fortunately Campbell’s wry eye and vivid full-colour artwork imbue the proceedings with real humanity, making The Lovely Horrible Stuff an investment that’s worth every penny.

Campbell is one of the premier cartoonists of his generation.” Publishers Weekly

 

http://www.criticalmob.com/books/review/the_lovely_horrible_stuff

http://www.guardian.co.uk/books/2012/jul/17/lovely-horrible-stuff-eddie-campbell-review?INTCMP=SRCH

http://forbiddenplanet.co.uk/blog/2012/reviews-the-lovely-horrible-stuff/

 

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Layout 1

THE CELESTIAL BIBENDUM by Nicolas de Crécy

Nicolas de Crécy

200 pages hardcover 320 x 245 mm | ISBN 9780861661756

For the first time in full, Nicolas de Crécy’s masterpiece.

De Crécy’s comics are mysterious concoctions where anthropomorphic animals interact with humans, mixing fantasy, absurd humour and realism with breathtaking classically styled illustration. Charming images and moments combine with shocking frightening scenes. You never know with De Crécy what turn a story will take.

Le Bibendum Celeste is the story of Diego, a seal, living in a city in Europe getting about on one shoe and a pair of crutches, who sails to a fantasy city New York-sur-Loire, a grim and polluted port, where he becomes a darling of the intelligentsia and embarks on a course of higher learning. Soon he comes to the attention of mysterious higher powers (including the President and Satan) who embark on his destruction. The Devil is everywhere in New York-sur-Loire, and as the author says, the devil is serious!  Diego is a candidate against his will in the race for the Nobel Prize of Love.

“A meaningful cross between Lewis Carroll and Alfred Jarry”

Over large format luxury hardcover

http://www.guardian.co.uk/books/2012/apr/20/post-moebius-french-comic-book?newsfeed=true

http://www.list.co.uk/article/41874-nicolas-de-crecy-the-celestial-bibendum/

http://www.thebookbag.co.uk/reviews/index.php?title=The_Celestial_Bibendum_by_Nicolas_de_Crecy

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PARIS

PARIS by Maarten Vande Wiele

Maarten Vande Wiele

216 pages paperback 225 x 165 mm | ISBN 9780861661732

Last season’s lurid comic book spandex has no place in Paris – the most exquisitely dressed graphic novel the world has ever seen, where designer labels and vintage couture play as much of a role in the story as the debauched characters themselves. Full of beautiful people with ugly ideas, Paris is an unhealthy cocktail of Sex & The City and Vogue, with a generous splash of The Valley of the Dolls, and a covert dose of Chuck Palahniuk’s Invisible Monsters for bite. In this blackest of black comedies, every piece of salacious gossip you’ve heard about the seedy underbelly of fashion, fame, and fortune is dredged up and paraded down the runway with its skirt hitched high for all to see. It’s a critical and hilarious look at a society obsessed with beauty, money, status and power – and a window into the screaming backstage pandemonium you don’t get to see from your expensive front-row seat.

Paris is a sordid tale of one city in two parts: I Love Paris and I Hate Paris, each charting the rise and dramatic fall of three fashionistas trying to make it in the cut-throat modelling industry. Faith hopes to make it as a singer, Hope has faith that the disfiguring scar on her once flawless face can be fixed with a strategic ‘do, and Chastity is willing to do literally anything to get her bejewelled fingers on a mountain of cash. If you revel in outrageous tabloid news you’ll recognise glimpses of Lindsey Lohan in taxi paparazzi shots, shades of Amy Winehouse in the on-stage vomit that cascades from the diva’s lipsticked lips, and screams of Anna Nicole Smith in the dead husband’s unaltered will – all topped off with more sex and depravity than Hugh Hefner’s last pool party. Hope, Faith and Chastity categorically fail to live up to their names in their grim desperation to make it big, by banging and blowing their way to the top before smashing (and shaving) their beautiful empty heads on the way down. An increasingly deafening crescendo of style and vice, violence and betrayal, it’s a story so deliberately outré you’ll be watching America’s Next Top Model with a whole new definition of the word “fierce”. Milla Jovovich said that modelling killed her. If it was anything like this it’s little wonder why.

Vande Wiele has illustrated a knowingly ridiculous yet loving portrayal of a world he clearly adores, bringing an elegant black line to the page as he pays tribute to the most superficial of the brilliantly superficial.

With foil embossed cover.

“This is a no holds barred trash graphic novel” The Comics Journal

“Don’t be glamorised by this graphic novel’s skin-deep beauty. What lies beneath its stylish charms gives a fresh and frank satirical twist to the cliche ‘fashion victim’” Paul Gravett

http://panelborders.wordpress.com/2012/05/06/todays-show-belgian-graphic-novelists/

http://www.thebookbag.co.uk/reviews/index.php?title=Paris_by_Maarten_vande_Wiele

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9780861661732
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216 pages paperback 225 x 165 mm
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DREAMSPY

DREAMSPY Illustrations 1973-2003 by Max

Max

144 pages hardcover with dust jacket 270 x 235mm | ISBN 9788478335350

Special Sale Price!

While Max has gained wide recognition as a comic artist, his no less important work as an illustrator has gone all but unnoticed. Over and above the cleanness of the composition, the exquisiteness of his line or his unmistakable palette, perhaps the main achievement of Max’s illustration is due to his skill as a narrator. Posters, newspapers, magazines, record and CD covers, advertising, limited edition prints, children’s books, postcards, bookplates, logos and mascots all stunning. A beautiful full-colour production hardcover with dust jacket.

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SEVEN DEADLY SINS

SEVEN DEADLY SINS

Various

64 pages paperback 297 x 210mm | ISBN 9780861660629

Cartoonists interpret the classic sins, including Sloth by Neil Gaiman and Bryan Talbot, Gluttony by Dave Gibbons and Lew Stringer, Lust by Alan Moore and Mike Matthews and Envy by Tym Manley and Hunt Emerson.

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TIME TWISTED

TIME TWISTED TALES by Dave Sheridan

Dave Sheridan

32 pages comic 255 x 178mm | ISBN 0

Three stories by fantastic psychedelic  illustrator and storyteller, the late Dave Sheridan. Full of  anachronisms and humour, Time Twisted Tales mixes up ‘Camelot’ with a time traveller and magician John Doe. 3771 is a futuristic satire on our own times. More Time Twisted Tales is just daft and glorious. Published by Rip Off Press

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BOLLAND STRIPS

BOLLAND STRIPS by Brian Bolland

Brian Bolland

112 pages hardcover 260 x 180mm | ISBN 9780861661503

Now at a Special Sale Price!

This collection includes a new 20 page Actress and Bishop story along with their other classic adventures set in a strange suburban idyll. Mr. Mamoulian is Bolland’s alter ego, an observer rather than an actor in life, in a state of constant bemusement at whatever is presented to him. Bolland started his career in the underground with strips in OZ and IT. He drew the definitive Judge Dredd and provided covers for many issues of 2000AD. He was the artist on Camelot 3000 and The Killing Joke. With his gloriously rich and accomplished style he is now the UK’s premier cover artist working for the US market on Animal Man, Wonder Woman, Batman, The Flash, Tank Girl and many other titles.

 

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PLAYWRIGHT

THE PLAYWRIGHT by Daren White & Eddie Campbell

Eddie Campbell & Daren White

164 pages Landscape Hardcover 235 x 145mm | ISBN 9780861661671

A dark comedy about the sex life of a celibate middle-aged man

The Playwright rather enjoys a quiet moment in the local park. It is a good place to mentally sort his ideas, and is often frequented by pretty young ladies. He once saw a pigeon defecate onto a businessman’s shoulder. It struck him as absurd that such an event is often considered lucky. Surely the luck lies with passers-by who, statistically, are far less likely to be similarly soiled at that precise moment. Similarly, the Playwright has always derived an almost perverse sense of relief upon receiving news that an old friend has developed prostate cancer. Because statistically, he reasons, such news significantly reduces the chances of him being similarly afflicted. And to be honest, at his age, his prostate needs all the statistical support he can muster…

Praise for Eddie Campbell (AlecFrom Hell):
“No one else in the medium combines emotional truth, literary intelligence, and formal daring with such adroitness and elegance.” -–Booklist

“Campbell is one of the premier cartoonists of his generation.” –PublishersWeekly

‘There’s no artist working in comics today whose body of work I admire more than Eddie Campbell’s.” –Tom Spurgeon, The Comics Reporter

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9780861661671
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164 pages Landscape Hardcover 235 x 145mm
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YESTERDAY'S TOMORROWS

YESTERDAY’S TOMORROWS by Rian Hughes

Rian Hughes & Others

256 pages hardcover 265 x 195mm | ISBN 9780861661541

Now at a Special Sale Price!

An eclectic, enthralling collection of comics by Rian Hughes, master illustrator and designer, the man who has done more for comic book design than anyone else. Contents include his collaboration with Grant Morrison on the classic British character, Dan Dare, a post-modern masterpiece which sets an ageing, retired Dare in the economically depressed 1980s. Versatile and unpredictable, Hughes makes full use of his retro style in his Science Service co-written with John Freeman and in his adaptation of Raymond Chandler’s Goldfish, (with writer Tom DeHaven), he adopts a moody 2-colour palette to capture the noir feel.  The book is rounded out with another Morrison story, Really & Truly, a madcap road-trip from the pages of 2000AD magazine, as well as a number of sketchbook pages.

Published in a luxury embossed casebound edition, the book features an introduction by comics guru Paul Gravett.

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9780861661541
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256 pages hardcover 265 x 195mm
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DEPRESSO

DEPRESSO by Brick

Brick

264 pages paperback with flaps 220 x 170mm | ISBN 9780861661701

DEPRESSO or: How I Learned to Stop Worrying and Embrace Being Bonkers

Our world is plagued by madness. With leaders bent on insane policies and too many citizens locked in crippling depression, normality seems elusive and questionable. Part travelogue, part indictment of mad medicine, ‘Depresso’ is Tom Freeman’s hilarious journey through the vagaries of the system to emerge scathed but content with being ‘bonkers’. The story unfolds over several years, in China and the UK, during which anti-depressants reduce Tom to a zombie and alternative therapies drive him to comic re-examinations of his life, his work and relationships. Throughout the adventured he is shadowed by the White Lizard, a familiar, a conscience, a pain in the arse who helps and hinders Tom’s recovery, and is justly the butt of some wicked humour. ‘Depresso’ is only semi-fictional.

Brick was born in Switzerland of Austrian-Scottish stock and raised on military bases in the Far East and Mediterranean, where comics were the sole source of enlightenment. Educated in the gulag of an English public school, he was destined to devote his life to railing against the system. After stints as a scrapman, roadie, steel erector and bouncer, he stumbled on a talent for satire and taught himself to draw. Best known for his wry political cartoons, Brick has been producing campaigning comics since the 1980s, mostly for pressure groups, trade unions and NGOs like UNICEF and Oxfam. An inveterate escapist, he became a regular contributor of humorous articles to adventure magazines and has two critically acclaimed travel books in his nom de plume, John Stuart Clark. After a couple of mega breakdowns (or maybe breakthroughs), he sought sanctuary in his first love and drew ‘Depresso’ to make himself happy. The book is only vaguely autobiographical.

“Whilst there are a growing number of books containing the narratives of survivors of mental health problems, there are few that have made me laugh. This book did, but it also made me cry. Then again, there are few books about mental health that are written in the cartoon genre. Although perhaps 2010 is the year for change as three have come along at once. Alongside Depresso is Couch Fiction: A Graphic Tale of Psychotherapy and  Pysychiatric Tales. What makes DEPRESSO stand out is the traditional cartoon strip style with fine drawing and attention to detail (in the brilliant tradition of Asterix the Gaul and Tin Tin). The humour in DEPRESSO makes the story all the more enjoyable, and more human. Mental health problems are not all about misery and woe. The detail makes for enjoyable reading, for example I spotted a number of allusions to various films and wondered towards the end of the book how many I had missed. All was revealed on the last page where Brick playfully lists the 17 films referred to.  Darn! I didn’t get half of them. Similarly, I spotted Tin Tin’s dog Snowy, Charlie Brown, Desperate Dan, Popeye, (even George Bush and Tony Blair make a guest appearance).

Brick is a cartoonist and travel writer with two other books under his belt under his nom de plume, John Stuart Clarke. Brick has also has cartoons published in the Times, the Independent and at one time illustrated the UNICEF magazine for children. This is Brick’s first outing on a mental health theme. How much of the story is fact and how much is fiction is not known. There is deliberate ambiguity about the identity of the protagonist in DEPRESSO, Tom Freeman, as the back cover informs us that the work “…is only semi-fictional”. Furthermore, throughout the book, Tom also has an alter-ego who is a white lizard who walks on his hind legs. The White Lizard is a benign companion for Tom on his journeys through Scotland, China and despair although terrifyingly, occasionally turns into a fire-breathing dragon. Ultimately the real hero in the story is Tom’s long-suffering partner, Jenny who having every reason to leave him, get him sectioned or at least never speak to him again, patiently stands by and learns to understand and accept Tom, with all his faults. And that is what the book is all about understanding the human condition.

As Tom recounts his years of journeying through depression and the mental health system so other benign characters come and go largely in the form of therapists, GPs nurses and so on. During his period of depression, Tom visits China for a few months. As a travel writer, Brick (or JSC) skilfully weaves Chinese history, politics and philosophy together which lifts the reader beyond Tom’s problems makes the book much more than a cartoon strip about mental health. Similarly, presumably writing during the war in Iraq, Brick is scathing of the Allies justification for invasion. DEPRESSO is not for the light-hearted. It contains some violence and strong language.

DEPRESSO is an intelligent and carefully crafted work of art. It is not only an account of one man’s journey, but it is also a critique of the psychiatric system, a commentary on the side-effects of medication, stigma, psychological processes and so on. Importantly, as personified in jenny, the significance of loving human relationships shines through. Whilst the reader is creatively taken to the pits of despair, the ultimate message of the book is one of hope. In today’s recovery orientated environment, DEPRESSO should be a set book for mental health students. It grants insight into human experience, gives plenty of food for thought and ultimately encourages.

The biggest problem with DEPRESSO is that it ends after 263 pages. I wished it could have continued for much longer. What a brilliant, enjoyable and stimulating read; DEPRESSO is one in a million. I warmly recommend it”

Theo Stickley, University of Nottingham

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9780861661701
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264 pages paperback with flaps 220 x 170mm
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A (First Item) £2.00 £3.00 £4.50
A (Additional Items) £2.00 £3.00 £4.50
B (First Item) £3.00 £5.00 £9.00
B (Additional Items) £3.00 £5.00 £9.00
C (First Item) £5.00 £9.50 £18.00
C (Additional Items) £5.00 £9.50 £18.00
D (First Item) £30.00 £35.00 £40.00
D (Additional Items) £15.00 £25.00 £30.00
E (First Item) £50.00 £60.00 £70.00
E (Additional Items) £25.00 £30.00 £60.00
F (Free) £0.00

Zone A: UK

Zone B: EU

Zone C: Rest of the World

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